If you are thinking about killing a character, it’s important to get it right.
I will talk in a moment about the rules for killing a character, but to put this in context I am going to talk about my current WIP. I have killed a few people in my book, not a lot, but I have killed a few.
I was pretty happy with my first deaths (hmm…maybe happy isn’t the word I’m looking for?) and felt I had ticked the ‘can I kill them’ check box. But when it came to a later death, I knew they had to go, keeping them alive would have been, to be honest, not very believable. So, I had ticked the ‘can I kill them’ check box, but this time it just did not feel right.
I knew they had to go…
I wrote the chapter, and I moved on…
But I felt something was wrong…
I realised I had missed a vital step…
I had not completed the after killing step. I had not dedicated book time for my other characters to react…
In my defence a) it was the first cut of my draft and everything was pretty scrappy b) it was the busy part of the book where everything is going crazy and the characters barely get time to breathe, let alone grieve. They had to pick themselves up and get back on with saving the world…but even here…and even when the sh*t is going down…you still feel.
The post killing character step is the most obvious, but least talked about part. We often focus on whether it is right to kill a character, but neglect to mention how important it is to dedicate time in the story to show how their death impacts everyone else.
For my earlier character deaths, I dedicated time, and in one instance much of the next chapter, to the characters reaction to the death. In these cases the death was part of the plot and set up the rest of the book. When it came to the later character death though, the book was close to the end. In this case it wasn’t so much about moving the plot, although it did impact the plot in some way, it was more about keeping the story realistic. There also wasn’t time, nor would it be right, to dedicate a large block for reflection–it would have slowed the pace right down. Once I realised what was missing, it was surprisingly easy to address the missing piece, and after it was done the whole chapter felt right.
There is a lot to be said for ‘gut feelings’ when it comes to writing, and it applies to many situations, not just killing a character off. If a section of the book feels wrong it probably is wrong, and you need to explore how to make it right.
This post-death reflection time applies equally to killing any character, whether they are loved, loathed or supporting. If you are going to kill them, it has to be for a reason, and it has to be acknowledged by our other characters if we are to make our story realistic. Not every character will react to death in the same way, nor in a stereotypical way, and it is important that their reaction compliments their profile.
How our characters handle death can even define them.
So, let’s finish off with the – how to kill your character right check list.
- It drives an essential change in another character
- It advances the plot
- It adds realism to the story
- It is a fitting punishment for their crime
Bonus check list
- You are writing a murder mystery
- Your name is George R. R. Martin
When not to kill a character
- If it does not meet at least one of the above
- To get a reaction from your reader (sadness or shock)
As always, I would love to hear your thoughts on killing a character.
Happy writing 🙂