Am I the only writer who is indecisive when it comes to my character names?
I don’t have any children, and yet I firmly believe naming a child would be far easier than naming a character in a book! Let’s face it you know exactly who you want your child to be when they grow up and a name is a massive part of this. But when you are naming a character in a book you experience so many conflicts of interest and dilemmas that its enough to make your head spin.
How many writers have a link to the latest top baby names website in their quick links/ favourites?
Ok, enough said.
More irony anyone?
Do you pick a name that suits your character’s personality, for example do you give your evil villain a gritty, villainesk name? Or do you choose the ironic option say something ‘fluffy’? Or even something normal?
Growing into our names…
Do you ever get the feeling that your characters grow into their names, or do they fight against it? While the real world has numerous examples of how your name can influence everything from job opportunities and salary to your likelihood of falling into a life of crime, it also has plenty of conflicts. For example the man who named his two sons ‘winner’ and ‘loser’ (let’s not get into a debate on why). Winner went on to be a criminal and loser went on to be a cop!
As a writer though, do we find ourselves attributing a personality and looks to our character simply based on their name?
I know as a reader I do, so I can’t help but think that subconsciously when I am writing I do the same.
Yeah, I still can’t decide…
I have been writing my current book for nearly ten years off and on. It is ready for publishing and has been through numerous rounds of editing, and I still find myself questioning the names! Ok, it’s not the main characters anymore, but I just can’t help giving some of the minor players a little tweak 🙂
For more cartoons by Tom Gauld… http://myjetpack.tumblr.com
Divided Serenity is out now on all Amazon stores, and free with Kindle Unlimited.
If you are looking for magic, all you need is a book.
More from www.writerswrite.co.za
How much does editing, design and formatting a book cost? We have combined data from 2,000+ quotes into a simple infographic on the cost of self-publishing.
Every now and then I have another stab at reading a few more classics. If you are looking for some inspiration, here is a nice list of suggestions …
I have always been a castle fan. Maybe it’s growing up in the UK where you can stumble across castles and their ruins just about everywhere. Or maybe it’s my sister’s fault for taking me out walking to explore them at an impressionable age. Either way, I love castles and everything about them.
I think my early love of castles and dragons and all things mystical drove my initial interest in fantasy fiction. Later, I headed in the direction of sci-fi, but I do still love both genres, and in particular books that cross the genre boundary.
So when it came to choosing a genre for my own book a sci-fi / fantasy was my immediate choice.
In my early teens I started reading a lot of Harry Harrison. Not exactly the obvious choice for a teenage girl! My brother (ten years older) introduced me to the Stainless Steel Rat series first. (The Stainless Steel Rat is an inter-galactic crook turned crook-catcher). And then later to the Death World series. I loved both series!
So, if I was to put an influence on my writing it would be this rather odd combination of Hobbits and intergalactic crooks! More importantly, it would be these worlds within worlds.
My book is neither the tongue-in-cheek style that Harry Harrison uses, nor the flouncy, over-descriptive style of Tolkien, but hopefully something more mainstream.
In terms of characters, I like my characters to be at least slightly realistic, baring in mind this is a story and we do need to do something more interesting with our characters than send them for a happy walk in the park. However, I hate extreme character changes that just do not make any sense, such as the heroine who suddenly turns from a fey teenage nerd into a ninja. I like my people to be fundamentally ‘something’ and to be dragged kicking and screaming into ‘something’ else only after a lot of failure and trauma.
Character change is an amazing part of a story, but I also like them to remain grounded. Yes they change, but they also have certain mannerisms and beliefs that never change throughout the story.
For example, the Stainless Steel Rat’s love interest is a psychopathic crook and killer – she changes, but it’s very tenuious and you are always slightly nervous that she may at any moment regress. For me, the parts of the character that change are as interesting as the parts that don’t. When I start a story I know exactly what aspect of my character’s personality will change and what won’t, and I stick to this.
I am also a fan of using many perspectives, this later influence came from reading authors like Stephen King and Michael Crichton. Not all their books, but at least some of those I have read, use many perspectives. I have also read a lot of fantasy books, such as the Game of Thrones and the Wheel of Time series, which typically use many POV’s, and so I find it near impossible to write from one, or even just two, character points-of-view. I write like I am watching a movie, and just as a movie can move between scenes and people, so does my story.
“We are, as a species, addicted to story. Even when the body goes to sleep, the mind stays up all night, telling itself stories.”
1) William Allen White – Journalist/News Editor “Substitute damn every time you’re inclined to write very; your editor will delete it and the writing will be just as it should be.” Though often mistakenly referenced as a quote by Mark Twain, White knows that adverbs can be dangerous if used overbearingly (see what I did there?). Very and similar words […]
Create: Verb. The act of banging your head on the desk until something interesting pops out.