You know you’re a writer when you’ve found a million ways to procrastinate #writer #writing

You know you’re a writer when you’ve found a million ways to procrastinate…here are a few tips to help you spot the procrastination pitfalls.

Reading really is the perfect excuse for any writer because you can convince yourself that it is actually helping you to become a better writer. Yes, it certainly is, but sometimes you do need to put the book down and get back to your keyboard and write.

Snacks. If you want to keep your writing brain in tip-top working order you need a snack, right? Yes, until you realise you’ve eaten enough food for a small party, and then it’s time to explore the possibility that you might be letting procrastination creep in.

Daydreaming is the birthplace of all good plot ideas. But maybe if you’re daydreaming about ‘fetching another snack’, it’s time to get on with actually writing the book!

Editing! Is the worst form of writer procrastination. You know you need to start the next chapter, but it’s so enticing to pop back to what you did yesterday . . . just for a quick check. The next thing you know, you’ve taken a bulldozer to it . . . and you’re not making any new progress on the book!

Desk tidy. Yes, we have all been there and done that, but after your 23rd pencil readjustment, you know you really need to get back to your book!

What’s your favourite procrastination habit? 🙂

Neven Carr Author Interview – Get Forgotten FREE for the next 3 days! #Thriller

Today I have the pleasure of introducing author Neven Carr, who will be sharing her thoughts on reading and writing, and details of her book Forgotten.

 Neven On Writing

I find the creating process of writing very cathartic, energising. It is also a lot cheaper than spending money on therapy, retail or alcohol! I love existing in my own world for a while, toying with character’s lives, setting them up in impossible situations.

What advice would you give to aspiring writers? 

Read, read, read, every day! Write, write, write, every day! Develop a routine and stick with it. Put some distance; okay a lot of distance, between the writing and the editing process.

In addition, accept criticism as a positive thing – it took me a while to accept that, but once I did, it became my strongest writing tool.

What is your least favourite thing about writing? 

Editing, re-editing and re-re-editing.

Yes! Yes! It is highly necessary but I find it so time-consuming and so laborious. Enough said on that, thank you very much. Next question please!

What is your favourite genre(s)? 

I am a strong mystery/thriller/suspense buff. I enjoy solving puzzles, thus I love searching for clues that will help me discover the true culprit.

If you could have a signed copy of a book by an author (dead or living) What book would it be?

Okay, I am going to be greedy here and go for the entire The Lord of the Rings series. I know they are not mystery/thrillers but they are by far one of the best pieces of literature of our time. Wow! Tolkien had an imagination like no other.

Tell us what you are currently reading and your verdict so far? 

The Truth about the Harry Quebert Affair by Joel Dicker. I am finding it very different to other thrillers. It reads as if it is a true story. Very difficult to put down.

About your book…

You are living in the your latest novel. Where are you living, and what is it like? 

I currently live in my caravan with my dog, Boomerang, in a small town called Nankari Bay. It was nice and quiet here until all these dead bodies began appearing at an apartment complex up the road. It is time for Boomie and me to move on.

You are your most recent protagonist, What do you like doing for fun?

I like to eat pink musk sticks. They have to be pink, they just do. They calm me, help me think better, take away the bad things, well… most of the time. Failing that, there’s always good old retail therapy!

Hate doing? Cleaning, especially blood stains. Why? Do I really need to answer that???

Forgotten by Neven Carr

Murder, revenge and family betrayal, this complex, fast-paced mystery thriller from down under, has more twists than a rollercoaster! The exotic locations and gripping action scenes are guaranteed to keep you turning the pages!

Forgotten will be free for 3 days from 31st March on Amazon!  

You can also follow Neven on her blog! nevencarr.wordpress.com

If you have recently published a book and would like to feature in an author interview,  please email me at TheWritingChimp@gmail.com

Writing Characters – Perspectives and POV #writing #amwriting

When you start writing a book, you have a number (okay a plethora) of things to consider. But one important consideration, is the number of character perspectives your book will have.

Perspectives and POV are often used interchangeably. For the purpose of this article:

Perspective = who (as in the character)

POV = how (style of showing the character)


What are the options when it comes to perspectives ?

We can write from a single persons perspective, two peoples, or many. Here are the main options:

  • Single – 1 protagonist
  • Double – combination of 2 protagonists (romantic)
  • Double – 1 protagonist v 1 antagonist
  • Double – combination of 2 protagonists e.g. friends or colleagues or family members (platonic)
  • Triple – 2 protagonists (usually working together), and 1 antagonist
  • Anything more than 3 – The cast of thousands…enough said

I use the term protagonist / antagonist loosely here because I personally love blurry lines between the ‘good’ guys and the ‘bad’ guys, and books certainly don’t need to have a stereotypical representative of either type. But generally, there is one character you root for more than the others, and the reader does need to feel some level of warmth or compassion toward them, and be able to identify with them.

How many perspectives is right?

It’s very much a matter of personal taste, but some pros v cons:

  • Single is simple, but it can be constricting because it has such a narrow focus on events.
  • Movies and TV shows often focus on multiple perspective and we are often presented with details of ‘stuff’ that is going on outside the MC’s (main character) field of view or knowledge. This hidden knowledge that we (the reader or viewer) knows about, but our MC doesn’t, often drives story tension. It provokes questions such as… What will they do when they realise? How will they react?
  • With single perspective, the tension is all in real time. You get the events (and shocks) at the same time as the character does, and so this might arguably submerge the reader to a greater extent.
  • Multiple perspectives, in any combination, allow greater freedom for the writer to build the world and add dimension. Possibly at the cost of depth for your MC, since the more character perspectives you have, the less time you can spend in any single person’s head.

The antagonist perspective? 

  • No book needs an antagonist, but it does need a source of conflict, which could be a person, but might equally be a disease, a war, a natural disaster, or even a financial or emotional concern.
  • If you do have a main antagonist in the story it can be nice to get inside their head and find out what their motivation is, and all antagonists should have a powerful motivation. Of course, there are plenty of ways you can reveal this information without giving them book realestate in terms of their own perspective, but it can add an interesting dimension, and it’s something to consider.

What are the styles for writing the character POV?

The Point of view is how we show that characters perspective.

  • First person – I walked along the path.
  • Third person – She walked along the path.
  • Close third person (Internal dialog for third person) – Damn it, I don’t have my umbrella!
  • Third person cinematic – Draws the reader in from a distance i.e. describe the room or scene.
  • Narrator / Omniscient – Knows everything. (unusual)

Whether you write in the first or third person, and no matter how many perspectives your novel may have, it’s essential to see all the character’s feelings. First person and close third person use internal thoughts to jump right behind the eyes of the character.

One of my favourite writing styles is using a scene transition from third person cinematic to close third person. I love the way that it spirals in, closer and closer, until you are sitting in the character’s skin.

There’s a great write up here on character POV [3rd person point-of-view].

Selecting a POV.

  • Most people can cope with third person (most commonly used style).
  • Some people are put off by first person (second most commonly used style).
  • First person is generally used for a single protagonist, and occasionally for two perspectives. I can’t think of any books that I have read from first person POV that use more than two perspectives (but happy for examples if you have read one!)

My writing style. I use a number of perspectives (more than 3), and I couldn’t write any other way. Movies and TV rarely focus on a single person, and I enjoy the flexibility of this style when writing myself (And If Stephen King, Michael Crichton, and George RR Martin can get away with it, as far as I am concerned so can I) But it’s definitely not for everyone. Many books do have more than one perspective. Two is certainly not unusual. Three or more is less common. I write in third person POV, but I use both cinematic and close 3rd person to zoom in and out.


I would love to hear what your preferred perspectives and POV for writing and reading is! And why you like it.

The creepiest (and best) creative writing exercise for character-development

Ah the terrible things we do to our characters 🙂 Lock them in an empty room and see what they do…

what a lot of birds

Writers are constantly asking: “how can I write believable, compelling characters?”, “how can I write realistic characters?”, “how can I write characters with depth?”
The answer is, it takes practice: and here’s one way to do that.

Characters are strange things. As writers, we like to think we’re in full control of our characters, that we decide who they are and what they do in a given situation. We like to think that we’re masters of their destiny. But this is a writing exercise that’ll make you think a little differently about the imaginary people we use to populate our stories, that’ll help you get to grips with their particular traits and foibles, and could just freak you out a little along the way.

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